Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.  Related Paintings of Paolo Veronese :. | Martyrdom of Saint George | Saints Mark and Marcellinus being led to Martyrdom | Martyrdom of Saint Sebastian | Allegory of Wisdom and Strength, | Allegory of Wisdom and Strength |
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Francois-Andre Vincent
(December 30, 1746 - August 4, 1816) was a French neoclassical painter. He was the son of the miniaturist François-Elie Vincent and studied under Joseph-Marie Vien. He travelled to Rome, where he won the Prix de Rome in 1768. From 1771 to 1775 he studied there at the Academie de France. In 1790 Vincent was appointed master of drawings to Louis XVI of France, and in 1792 he became a professor at the Academie royale de peinture et de sculpture in Paris. In 1800 he married the painter Adelaïde Labille-Guiard. Belisarius by François-Andre Vincent, painted 1776. He was a leader of the neoclassical and historical movement in French art, along with his rival Jacques-Louis David, another pupil of Vien. He was influenced by the art of classical antiquity, by the masters of the Italian High Renaissance, especially Raphael, and among his contemporaries, Jean-Honore Fragonard. He was one of the founder members of the Academie des beaux-arts part of the Institut de France and the successor to the Academie royale in 1795.
Anselm Schultzberg
(1862 -1945 ) - Painter
Master Francke
German painter (early 15th century, active in Hamburg). respectively German for "Master Francke" and Latin for "Brother Francke", was a North German Gothic painter and Dominican friar, born ca. 1380 in the Lower Rhine region or possibly Zutphen in the Netherlands, who died ca. 1440, probably in Hamburg, where he was based at the end of his known career. He is called "Fratre Francone Zutphanico" ("Brother Frank of Zutphen") in one document. He may have trained as an illuminator and painter in France or the Netherlands, and later worked in Munster, before joining in St John's Friary in Hamburg by 1424 at the latest. Two main altarpieces attributed to him survive, dedicated to St Thomas of Canterbury and Saint Barbara, in an unusually intense style, showing awareness of French and Early Netherlandish court art. He probably arrived in Hamburg after the death in 1415 of the previous leading artist there, Master Bertram, and shows little or no influence from him, but he may have been influenced by the more courtly style of Conrad von Soest, about ten years older than Francke, who worked to the south in Westphalia. The Hamburg association of traders to England commissioned an altarpiece from "Mester Francke[nn]" in 1424; the contract does not survive, but is mentioned in their memorial book. This is probably the "St Thomas (of Canterbury) Altarpiece", completed in 1436, of which parts survive in the Kunsthalle, Hamburg. The rather earlier St Barbara Altarpiece may have been commissioned for Finland, where it surfaced a century ago. The "Thomas Altar" has eight surviving scenes, but is missing its main panel and several others. The "Barbara Altar" has also eight scenes, on both sides of the wings to a carved wood central panel by another artist. At least two other panels are in museum collections. Francke was almost entirely forgotten after the Renaissance until the end of the 19th century when, like Master Bertram, he was rediscovered and published by Alfred Lichtwart, Director of the Hamburg Kunsthalle